“Simulacro” is an exercise in intimacy, repetition, and resistance.

Two bodies in continuous motion explore the limits of their proximity through the degenerative nature of gesture. A blurred space emerges between the real and the staged, between the public and the private, amplifying states of vulnerability, anticipation and tension.

“Simulacro” draws from a set of actions and gestures rooted in the performers’ daily lives, interwoven with fragments of shared memories, in a slow and deliberate transformation of their bodies and pulses.