All Those Things Left Behind, For Now proposes a shift of attention, from a forward-oriented gaze to a backward-oriented embrace. Rooted in relationality, backspaces, and the fragility and resilience of our porous bodies, this dance performance engages with its paradox: a solo where multiple bodies occur in one.

It tends to the ever-changing reality of today, allowing movements to become voices to become space. With an intimate presence, she, the performer, a vessel of experiences, moves from behind and around. Dances become cast and suspended as she invites the audience to hold hands with our future past.